‘Diasporic Music: Sounding the Connection Between Sedimented Histories,’ International Studies Association (ISA) (Nashville (USA)), March 31, 2022.
‘Between Non-place and Good Place: Utopian Imaginaries in Parliament’s Mothership Connection,’ ISA Northeast (Virtual), November 4, 2021.
Discussant. ‘Race Matter: Research Questions in International Relations’, Mario Einaudi Center for International Studies (Cornell University), May 20, 2021.
Chair. ‘Frantz Fanon and International Relations: A Cross-Disciplinary Examination of his Life and Work’, ISA (Virtual), April 6, 2021.
‘“If I can’t dance, I don’t want to be part of your revolution”: Fanonian Aesthetics as Decolonizing Rhythm’, ISA (Virtual), April 6, 2021.
‘Between the Visual and the Aural: Music and Processes of Racialization in a Bundeswehr Recruitment Ad’, Cornell Department of German Studies Graduate Student Conference (Cornell University), March 6, 2020.
‘‘Agency’ as Social Death: Unpacking International Relations’ Theoretical Framework’, ISA International Conference (Accra (Ghana)), August 1, 2019.
‘Music and Intersubjectivity: Reconceptualizing International Relations’ Conceptual Encounter’, ISA (Toronto (Canada)), March 30, 2019.
‘Between the Visual and the Aural: Music and Processes of Racialization in a Bundeswehr Recruitment Ad’, ISA (Toronto (Canada)), March 29, 2019.
Then Bergh, Sarah (2022). ‘Subverting Colonial Aesthetics: Frantz Fanon, W.E.B. Du Bois and Janelle Monáe.’ In: Grant Farred (ed.). Africana Studies: Theoretical Futures (PA: Temple University Press).
Then Bergh, Sarah (2021). Review of: Amy Niang, 2018. The Postcolonial African State in Transition. E-International Relations (12 Aug. 2021), <https://www.e-ir.info/2021/08/12/review-the-postcolonial-african-state-in-transition/>.